Atlantian Scribe's Gallery
This page is designed to display our incredibly talented scribe's work. If you would like to be added to this page, please send an email to the Webminster (webminster_AT_scribe.atlantia.sca.org) or to the Clerk Signet (signet_at_atlantia.sca.org).
Brighid Inghean Ioain [Sherry Pugh]
Email: moondorah_at_yahoo.com
Brighid is a 12th Century Irish woman who works with Calligraphy and Illuminations, cooking, archery and bead making. Brighid is a Bronze member of the Household of Rolling Thunder, Clan Coeur Taranis. Brighid is also a Protege to Mistress Olwynn ni Chinneidigh. Brighid resides in the Incipient Canton of Abhainn Iarthair with her husband Philip ap Mereduth and thier son Steven.
URL: http://s74.photobucket.com/albums/i245/Moondorah/Scrolls/
Enequy Erensaurlezelasgarria Menditarra [None Given]
Email: enequy_at_comcast.net
I do Calligraphy and Illumination from all periods. I will do commissions, original blanks, scrolls for court, etc. I also spend time on the archery field (target and combat), make arrows and bow strings, leather working (quivers, pouches, etc), lucette, viking wire weaving (both of which I add to the leather projects)
URL: http://home.comcast.net/~enequy/Scrolls/Scroll%20listing.html
Mistress Gwerfyl verch Aneirin [None Given]
Email: nancyhulan_at_gmail.com
Mistress Gwerfyl verch Aneirin (known as Aneira) specializes in late-period C&I styles using authentic materials. She has a particular fondness for grisaile illumination and loves a challenging project above all else. She does scroll by commission, and only when they fit her schedule (which is usually busy). She may be contacted at nancyhulan_at_gmail.com
URL: http://www.aneira.org/
Lady Metylda [None Given]
Email: nikki.r.a.early_at_gmail.com
I'm Baroness Metylda the Cunning. My persona is a Mi'kmaq Native American. A few years ago, I switched from a Scottish persona to the Native American one because I was far more interested in the Native American culture and, honestly, the clothes were a lot more versatile and comfortable. When I started in the society, I came in as a heavy fighter roughly seventeen years ago. After an injury, I found things that I loved far more than heavy fighting. I became an archery marshal, a rather loud herald, a poet focusing on Chaucerian poetry styles and Middle English, and also a scribe. I live in the Barony of Black Diamond.
URL: http://picasaweb.google.com/nikki.r.a.early/ScrollPictures?authkey=Gv1sRgCOfG5q29udXj5wE#
Lord Philip ap Mereduth [Mike Pugh]
Email: screamingogre_at_gmail.com
Philip is a 14th Century Welsh Cavalier who works with Calligraphy and Illuminations, woodworking, metalworking, Armor smithing, archery and is a heavy fighter for the Kingdom of Atlantia. Philip is a Bronze member of the Household of Rolling Thunder, Clan Coeur Taranis. Philip is also an Apprentice to Mistress Olwynn ni Chinneidigh. Philip resides in the Incipient Canton of Abhainn Iarthair with his wife Brighid Inghean Ioain and his son Steven.
URL: http://s81.photobucket.com/albums/j225/screamingogre/Illumination%20Projects/
Baroness Rhonwen verch Tuder [Shannon Combs-Bennentt]
Email: scribe_education_at_scribe.atlantia.sca.org
Rhonwen has a fondness for Italian style late period illumination but has been known to dabble in all periods. She is available for commission work, but current reign court dockets take priority over commissions.
URL: http://www.freewebs.com/rhonwen/
Rohesia [Sandra Sibernagel]
Email: arwynn16(at)gmail(dot)com
Rohesia is a 12-13th(?) century English woman who has a strong interest in the scribal arts; more specifically pre-13th century illuminations, some knotwork, Nordic and Norse art. Other interests include archery, card weaving, and heavy weapons. Is willing to take on scribal projects or commissions if mundane life allows enough time; so case by case.
URL: http://s684.photobucket.com/albums/vv203/Rohesia16/Scribal%20Gallery/
Master Tristan Alexander [None Given]
Email: tristan_at_vampyre-nmp.com
I work primarily with acrylics since they can be used like water colors or gouache.While they are not period (and some have problems using them), they do produce colors that match period colors much better than anything else (except maybe hand ground pigments). Gouache and modern water colors are no more period than acrylics and acrylic have the brilliance and feel of period colors. Acrylics last longer and survive better than anything else. I tend to use brush on gold alot, in period not all gold was done with gold leafing, anytime you see details in gold or line work in gold, it is brushed on. I encourage all scribes to try period pigments and I applaud anyone who uses period materials. However, in the SCA we are doing these "scrolls" as awards and want them to survive modern life, so I find using modern materials that survive is a good thing. Make it look period no matter what. If it looks period and you worked from period manuscripts (reproductions/photos) then I think that is the best you can do. I hope you like my work, I am always trying to expand what I do and I think I am getting more and more period in my scrolls.
URL: http://www.brighthills.net/guilds/illumin.htm